The antiques appraisal expert combined with years of jade identification experience, told the Tibetan friends in the Han Dynasty jade identification method:
First, look at the information: high-quality jade material is essential for a jade, such as jade, jade, luster, density, splitting, smudging, etc. are all elements of jade grade, should not be ignored.
Second, distinguishing the external type: the appearance is the aesthetic framework of jade, and it is also an important factor in determining the value of jade. The shape is determined by the function and the shape of the jade. Its share trade-offs should be appropriate, symmetrical, and not rigid.
Third, the pattern decoration: the decoration is the decoration of the jade, its beauty and ugly is simple for everyone to perceive, feel, usually it is subject to the needs of the type, perhaps both of which depend on the needs of social function. Renovation depends on the layout, rules, complexity, sparseness, etc., where the layout rules are reasonable and consistent, that is, beautiful, with appreciation value.
Fourth, analysis of skills: skills are changed from material to device skills, its nature is relatively stable, not easy to be known by people, is a problem in appreciation. Where the engraving of the work must be beautiful, on the contrary, the rigid and rigid climbing, the preservation value will be sharply reduced, should be carefully handled, not rashly collected.
5. Art of Art: Art is the highest level that every jade is sought for and the hardest to do. All the vivid and vivid, both form and spirit are the embodiment of artistic beauty, which has rich preservation value. On the contrary, it is a kind of writing that violates the artistic beauty. The appreciation value is much worse.
Sixth, stand and stand: the antique jade contains two major types of art shapes: innovation and antique. This is also a common expression in Chinese painting, sculpture and skill art. Jade can not be outside. Unconventional or antique jade is both preserved and appreciated.
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