Hepburn's sexy style written by Chinese designer Zheng Xiaodan

On the first day of London Fashion Week, China’s cutting-edge fashion designer, Zheng Xiaodan, held a T-stage joint show and a static exhibition of Dan Dan’s advanced custom brands in the Royal Opera House. Sunlight refracted through the big glass windows of the building and refracted into the garden. It fell on the fashion that she had sewn, and the time and space were staggering like being in a dream garden. For the beauty of Chinese elements, this Sagittarius woman has a special understanding. When the foreigners watching the catwalk find the sexy and graceful “Hepburn style”, she understands that it is the interpretation of the beauty revealed by her inner touch.

Zheng Xiaodan prepared his own brand for a year and a half, but the show's decision was a tacit agreement with the Shanghai International Fashion Week organizing committee two months ago. Applying Chinese elements in the international arena reflects elegance, atmosphere, and restraint. Although it is "very Chinese," it cannot be too deliberate. In this exhibition in London, she did not use too many Chinese style expressions. Because, in the hands of many local designers, it is already too common and it is good enough. And Zheng Xiaodan’s desire to deliver personal brands to the international fashion scene is not traditional but more international.

In her design, there is a costume inspired by goldfish. Goldfish is a clever life that lives in the water, just as a woman is also made of water. It is soft, unrestrained and free to release. The Sagittarius woman has an expectation for her life. So when she applied her inspiration to the design, she used the subtraction method to degenerate the fins and perform even more concisely, showing her own personality and fashion.

Although the cultural symbols of the clothing itself are not rich, but in her understanding, Chinese culture is advocating grace and artistic conception, and it is more intrinsic. To express the inner artistic conception in the form of clothing requires the designer to first touch his own heart and implicitly express the beauty in the book. Therefore, Zheng Xiaodan's show won the praise of foreign fashion circle friends: elegant, tonal, unique, beautiful without demon, unique. Someone told her that if a foreign woman was used to metaphorically look at the feelings of these clothes, it was like Hepburn's feeling. It was a kind of elegant sex.

For the international market of Chinese elements, the road is still long. Chinese designers need to use international methods and expressions more fluently to create a “higher level” of ethnic beauty. And Zheng Xiaodan, who is well-known for his reputation, will soon be preparing his own studio in Shanghai to achieve his heart's hopes and dreams in a down-to-earth manner.